[SURVEILLANCE.​PIG]

The final horror reveals itself as the boundary between the portraits and reality dissolves. The pigs are no longer content to watch - they begin to manifest beyond their frames. This section contains the most experimental poetry, with text that appears to oink and squeal off the page, and a final revelation that the reader themselves is now being watched. The visual style is at its most corrupted, with portions that appear to be physically torn or stained.